Ben Uri operates on a four year forward plan and has an exciting and diverse range of exhibitions in preparation that without us would not be seen in London or the United Kingdom.
The exhibitions cover contemporary, classic, individual artist retrospectives and themed group surveys, all accompanied by scholarly, accessibly-presented catalogues. They highlight artists from home and abroad and many of the exhibitions are designed to tour nationally and internationally. Our special focus – exploring and telling the story of émigré artists to London and the Jewish experience within – is prevalent within our overall remit of Art, Identity and Migration.
Examining the work of Sir William Rothenstein and his circle, including Barnett Freedman, Mark Gertler, Jacob Kramer, Albert Rutherston, Alfred Wolmark amongst others.
10 September 2015 – 10 January 2016
In partnership with Cartwright Hall, Bradford Museums and Galleries, Ben Uri Gallery and Museum is delighted to announce its upcoming autumn exhibition, Rothenstein’s Relevance, examining the work of Sir William Rothenstein (1872–1945) and his circle. It will be Ben Uri’s first exhibition on this hugely influential figure and is a partial tour of the Bradford exhibition, From Bradford to Benares: the art of Sir William Rothenstein (7 March – 12 July 2015), reconfigured for its London showing. It comprises approximately 40 works including paintings, works on paper and archival material and aims to re-examine the significance, influence and continuing importance of Rothenstein’s artistic achievements.
The exhibition will examine major themes from Rothenstein’s career including Jewish subjects, portraiture and figure studies (in Paris, London and Gloucestershire) and the First and Second World Wars. These will be contextualised by work on similar themes by a number of mostly younger contemporaries including Barnett Freedman, Mark Gertler, Eric Kennington, Jacob Kramer, Albert Rutherston and Alfred Wolmark, who were all either influenced directly by, or worked alongside, Rothenstein.
The majority of works will come from Bradford’s own collection, together with selected loans from the Arts Council, Gallery Oldham, Leeds City Art Gallery, Manchester City Art Gallery, Museums Sheffield and Tate Britain, as well as works from Ben Uri’s own collection and a number of private collections.
Image: Sir William Rothenstein, Coster Girls, c. 1894, oil on canvas, Sheffield